Shop By Category
- Accessories
- Bookbinding
- Bookshelf
- Brushes
- Clay & Model Making
- Conservation
- Drawing
-
Etching & Intaglio
- Acid Trays
- Acids
- Acrylic Resist Etching
- Aquatinting
- Blankets
- Blockouts
- Burnishers
- Clean Up
- Drypoint Etching Needles and Tools
- Dual Ended Tools
- Engraving Tools
- Etching Plates
- Ink Application & Wiping
- Ink Modifiers
- Intaglio Inks Oil Based
- Intaglio Inks Water Based
- Intaglio Inks Water Wash Up
- Liquid Grounds
- Mezzotint Rockers
- Roulettes
- Safety & Protective Equipment
- Scrapers
- Solid Grounds
- Solvents
- Sundries
- Tusche
- Gilding
- Lithography
- Painting Supplies
- Paper
- Presses
- Printmaking Rollers
- Relief Printing
- Screen Printing
- Sketchbooks
- Stationery
Printmaking at the Edge
General
Printmaking at the Edge
Author: Richard Noyce. A&C Black. 160 pages, Hardcover.
Printmaking at the Edge explores the innovative techniques printmakers are using today. The topics covered range from the challenges of new technology and materials (for example, the latest high-tech plates and speciality papers and inks) to the persistence of traditional techniques and the new directions they are taking (for example, digital techniques being used with silkscreen and wood engraving). All scales and stages of printmaking are dealt with. This book is a vital source of information for students and includes interviews with prominent international artists, revealing the secrets behind their work and the possibilities for the future. Included is the work of artists from UK, USA, Canada, Japan, Poland, Argentina, Nicaragua, Belgium, Lithuania, Iceland, Austria, Finland, Sweden, Iraq, Korea, Taiwan and Australia.
Richard Noyce is well-known in the printmaking world and often gives keynote addresses at international printmaking conferences and ehibitions/contests. He writes regularly on contemporary art and has had two previous books published on printmaking.
Printmaking at the Edge explores the innovative techniques printmakers are using today. The topics covered range from the challenges of new technology and materials (for example, the latest high-tech plates and speciality papers and inks) to the persistence of traditional techniques and the new directions they are taking (for example, digital techniques being used with silkscreen and wood engraving). All scales and stages of printmaking are dealt with. This book is a vital source of information for students and includes interviews with prominent international artists, revealing the secrets behind their work and the possibilities for the future. Included is the work of artists from UK, USA, Canada, Japan, Poland, Argentina, Nicaragua, Belgium, Lithuania, Iceland, Austria, Finland, Sweden, Iraq, Korea, Taiwan and Australia.
Richard Noyce is well-known in the printmaking world and often gives keynote addresses at international printmaking conferences and ehibitions/contests. He writes regularly on contemporary art and has had two previous books published on printmaking.
